Product Description

Every politician has a secret. And when the daughter of a politically-connected family is kidnapped abroad, America's new president will agree to anything - even a deadly and ill-advised rescue plan - in order to keep his secret hidden.

Brimming with the kind of ripped-from-the-headlines authenticity Brad Thor's internationally bestselling novels are known for, The Apostle doubles down on the blockbuster success of The Last Patriot and reaffirms Thor's status as the master of the political thriller.

About the Author

Brad Thor, a graduate of the University of Southern California, has served as a member of the Department of Homeland Security's Analytic Red Cell Program and is the #1 New York Times bestselling author of The Lions of Lucerne, Path of the Assassin, State of the Union, Blowback, Takedown, The First Commandment, The Last Patriot, and The Apostle. Visit his website at www.BradThor.com.

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Biting, hilarious and improbably affectionate, comedy writer Hely's debut skewers the literary world with a sendup of the quest to write the Great American Novel. Words are Pete Tarslaw's thing, and after watching a bestselling novelist prattle on about the truth, his calling� and other ridiculous ideas on TV, Pete concludes that the sole way to save face at his ex-girlfriend's upcoming wedding is to become a famous novelist himself. His quest to construct a by-the-numbers bestseller is guided by rules like At dull points include descriptions of delicious meals� and where to live (An easy way to get credibility as an author is to live someplace rugged�), though the real adventure starts once he bags $15,000 for The Tornado Ashes Club: his dance card is full of one-night stands, dizzying meet-and-greets with Hollywood big shots and appearances at grad schools. Meanwhile, Pete senses his moral barometer plummet as his Amazon ranking rises. Granted, Hely's shooting at some pretty easy targets that have been hit before, but it's hard not to love the way he does it with such merciless zeal. (July)
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“Biting, hilarious, and improbably affectionate.”—Publishers Weekly

“A hilarious send-up of literary pretensions and celebrity culture. . . . Will hit close to home for publishers, writers, and readers.”—Bob Minzesheimer, USA Today

“A satiric, facetious, and laugh-out-loud funny first novel.”—Kirkus (starred review)

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“Never questioning Washington’s greatness, Ferling insists that seeing him as an artful self-promoter and master politician only enhances his reputation as an adept leader who knew exactly what he was doing… a fresh take on a monumental American.”—Kirkus

Bestselling historian John Ferling draws on his unsurpassed knowledge of the Founding Fathers to provide a fresh and provocative new portrait of the greatest of them all, George Washington.
Even compared to his fellow founders, George Washington stands tall. Our first president has long been considered a stoic hero, holding himself above the rough-and-tumble politics of his day. Now John Ferling peers behind that image, carefully burnished by Washington himself, to show us a leader who was not only not above politics, but a canny infighter—a master of persuasion, manipulation, and deniability. In the War of Independence, Washington used his skills to steer the Continental Army through crises that would have broken less determined men; he squeezed out rival generals and defused dissent from those below him. Ending the war as a national hero, Washington “allowed” himself to be pressed into the presidency, guiding the nation with the same brilliantly maintained pose of selfless public interest. In short, Washington deftly screened a burning ambition behind his image of republican virtue—but that image, maintained not without cost, made him just the leader the overmatched army, and then the shaky young nation, desperately needed. Ferling argues that not only was Washington one of America’s most adroit politicians—the proof of his genius is that he is no longer thought of as a politician at all.

The Jedi Order is in crisis. The late Jacen Solo’s shocking transformation into murderous Sith Lord Darth Caedus has cast a damning pall over those who wield the Force for good: Two Jedi Knights have succumbed to an inexplicable and dangerous psychosis, criminal charges have driven Luke Skywalker into self-imposed exile, and power-hungry Chief of State Natasi Daala is exploiting anti-Jedi sentiment to undermine the Order’s influence within the Galactic Alliance.

Forbidden to intervene in Jedi affairs, Luke is on a desperate mission to uncover the truth behind Jacen’s fall to the dark side–and to learn what’s turning peaceful Jedi into raving lunatics. But finding answers will mean venturing into the mind-bending space of the Kathol Rift and bargaining with an alien species as likely to destroy outsiders as deal with them. Still, there is no other choice and no time to lose, as the catastrophic events on Coruscant continue to escalate. Stricken by the same violent dementia that infected her brother, Valin, Jedi Knight Jysella Horn faces an equally grim fate after her capture by Natasi Daala’s police. And when Han and Leia Solo narrowly foil another deranged Jedi bent on deadly destruction, even acting Jedi Grand Master Kenth Hamner appears willing to bow to Daala’s iron will–at the expense of the Jedi Order.

But an even greater threat is looming. Millennia in the past, a Sith starship crashed on an unknown low-tech planet, leaving the survivors stranded. Over the generations, their numbers have grown, the ways of the dark side have been nurtured, and the time is fast approaching when this lost tribe of Sith will once more take to the stars to reclaim their legendary destiny as rulers of the galaxy. Only one thing stands in their way, a name whispered to them through the Force: Skywalker.

From Publishers Weekly

Starred Review. Four peerless actors render an array of sharply defined black and white characters in the nascent years of the civil rights movement. They each handle a variety of Southern accents with aplomb and draw out the daily humiliation and pain the maids are subject to, as well as their abiding affection for their white charges. The actors handle the narration and dialogue so well that no character is ever stereotyped, the humor is always delightful, and the listener is led through the multilayered stories of maids and mistresses. The novel is a superb intertwining of personal and political history in Jackson, Miss., in the early 1960s, but this reading gives it a deeper and fuller power. A Putnam hardcover (Reviews, Dec. 1). (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The Washington Post

From The Washington Post's Book World/washingtonpost.com Reviewed by Sybil Steinberg

Southern whites' guilt for not expressing gratitude to the black maids who raised them threatens to become a familiar refrain. But don't tell Kathryn Stockett because her first novel is a nuanced variation on the theme that strikes every note with authenticity. In a page-turner that brings new resonance to the moral issues involved, she spins a story of social awakening as seen from both sides of the American racial divide.

Newly graduated from Ole Miss with a degree in English but neither an engagement ring nor a steady boyfriend, Eugenia "Skeeter" Phelan returns to her parents' cotton farm in Jackson. Although it's 1962, during the early years of the civil rights movement, she is largely unaware of the tensions gathering around her town.

Skeeter is in some ways an outsider. Her friends, bridge partners and fellow members of the Junior League are married. Most subscribe to the racist attitudes of the era, mistreating and despising the black maids whom they count on to raise their children. Skeeter is not racist, but she is naive and unwittingly patronizing. When her best friend makes a political issue of not allowing the "help" to use the toilets in their employers' houses, she decides to write a book in which the community's maids -- their names disguised -- talk about their experiences.

Fear of discovery and retribution at first keep the maids from complying, but a stalwart woman named Aibileen, who has raised and nurtured 17 white children, and her friend Minny, who keeps losing jobs because she talks back when insulted and abused, sign on with Skeeter's risky project, and eventually 10 others follow.

Aibileen and Minny share the narration with Skeeter, and one of Stockett's accomplishments is reproducing African American vernacular and racy humor without resorting to stilted dialogue. She unsparingly delineates the conditions of black servitude a century after the Civil War.

The murders of Medgar Evers and Martin Luther King Jr. are seen through African American eyes, but go largely unobserved by the white community. Meanwhile, a room "full of cake-eating, Tab-drinking, cigarette-smoking women" pretentiously plan a fundraiser for the "Poor Starving Children of Africa." In general, Stockett doesn't sledgehammer her ironies, though she skirts caricature with a "white trash" woman who has married into an old Jackson family. Yet even this character is portrayed with the compassion and humor that keep the novel levitating above its serious theme.

Copyright 2009, The Washington Post. All Rights Reserved.

The definitive iLife reference, completely updated and revised!

The Macintosh iLife ’09 is a lavishly illustrated handbook packed with easy-to-follow instructions, essential technical background, and tips for iLife users of all levels.

Each two-page spread is a self-contained tutorial or set of tips. Everything you need is at your fingertips, and every page is updated for iLife ’09, including coverage of the Faces feature in iPhoto that allows users to organize their photos based on who's in them, the new Animated Travel Maps in iMovie that enhances vacation movies with eye-catching animations and much more!

Get updates, tips, and much more at this book’s companion Web site, www.macilife.com.

Jim Heid is one of the most admired writers and instructors in the Mac community. Known for his clear and friendly writing style, he’s been a senior contributor of Macworld magazine since 1984 and has been using and teaching each of the programs in the iLife suite since its debut.